He later adapted much of his score into the large-scale cantata for mezzo-soprano, orchestra and chorus featured on this recording. Après la composition, Prokofiev s'implique également dans l'enregistrement de sa musique, cherchant notamment à jouer sur les distances des microphones pour obtenir les sonorités désirées. Prokofiev connaît Sergueï Eisenstein, qu'il retrouve à son retour à Moscou, pour l'avoir rencontré à plusieurs occasions à l’étranger. А пойду я за храброго – Détails: Tous les prix incluent la TVA. 78, for mezzo-soprano, chorus, and orchestra.It is one of the few examples of film music that has … Alexander Nevsky, Op. Taiwanese School: The Experiment of Sergei Eisenstein's Montage Theory (2009) (Short) For its montage theory. Returning to the contemporary critical debate regarding the validity of film composition as an art form, Bartig argues that the Alexander Nevsky cantata provided music critics with a highbrow piece of concert music worthy of praise, whereas the film score received comparably little critical attention from the same writers. Alexander Nevsky was the first and most popular of Eisenstein's three sound films. Blu-ray from $58.99 DVD $10.00 VHS Tape from $5.99 Additional VHS Tape options: Edition Discs Price New from Used from VHS Tape June 26, 1995 "Please retry" VHS … Alexander Nevsky (Russian: Александр Невский) is the score composed by Sergei Prokofiev for Sergei Eisenstein's 1938 film Alexander Nevsky.The subject of the film is the 13th century incursion of the knights of the Livonian Order into the territory of the Novgorod Republic, the summoning of Prince Alexander Nevsky to the defense of Rus', and his subsequent victory … 78 (1938) (uncredited) (excerpts) Written by Sergei Prokofiev. Serge Prokofiev - Alexander Nevsky op. By extraordinary coincidence, that long-planned live transmission took place on the day after news of Pearl Harbour reached Europe; and just as improbably it was recorded, so that we have the final words of the Soviet ambass-ador, … Prokofiev's famous cantata Alexander Nevsky was made from portions of this film score. But Prokofiev’s biggest asset is his deft hand with tunes and themes, of which this soundtrack has no lack; from the folk-like choruses, to the setting of the scenes, the depiction of the characters … 78, for mezzo-soprano, chorus, and orchestra. This article may not be reproduced or cited without permission from the author. Directed by Sergei Eisenstein • 1938 • Soviet Union Starring Nikolai Cherkasov, Nikolai Okhlopkov, Andrei Abrikosov Eisenstein drew on history, Russian folk narratives, and the techniques of Walt Disney to create this broadly painted epic of Russian resilience. Cette symbiose entre deux génies créateurs trouve son aboutissement dans la fantastique « Bataille sur la glace », qui voit la victoire de Nevski sur les Teutons. Alexander Nevsky, Cantata for Mezzo-soprano, Chorus, & Orchestra, Op. It is one of the few examples of film music that has found a permanent place in the standard repertoire, and has also remained one of the most renowned cantatas of the 20th century. Orchestre National de Lille (& Latvian State Choir), direction : Jean-Claude Casadesus, mezzo-soprano : Ewa Podles, Naxos. Orchestra, Vocal, Score sheet music book by Sergei Prokofiev (1891-1953): Zen-On at Sheet Music Plus. A l'honorable terre russe. Отзовитеся, ясны соколы. ABOUT; RECORDINGS; ALBUMS; Loading... Musicology: Alexander Nevsky (film score) Year: 1938 Pr. La partition fut adaptée l'année suivante par le compositeur sous la forme d'une cantate pour mezzo-soprano, chœur et orchestre. In 1938, Prokofiev collaborated with Eisenstein on the historical epic Alexander Nevsky, some of his most inventive and dramatic music. Prokofiev soon adapted it into the five-movement Lieutenant Kijé Suite, first performed in December 1934, and which quickly became a favorite in the international concert repertoire. Поцелую того в очи мертвые, Philadelphia Orchestra (& The Westminster Choir), direction : Eugene Ormandy, mezzo-soprano : Jenny Tourel, Columbia, 1945. The ice battle is an astonishing choreography of image and sound. He defended Russia and its Church, defeating invading Swedes and (two years later) the Teutonic knights. Celui qui mourut noblement pour la Russie, Music has always been an integral part of the movies. À propos du caractère cinématographique de l'écriture du compositeur, Eisenstein écrit : Prokofiev est d’abord tenté d’utiliser une authentique musique du XIIIe siècle.
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